Jumat, 29 November 2013

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Kiss the Rain, by Larkin Rose

Phone sex operator on speed dial. What more could a girl want?

Fashion designer Eve Harris has it all: perfect career, satisfying single life, and her very own phone sex operator in her back pocket. Lexi fills the sexual void when Eve’s hectic life leaves no time for relationships—relationships she has no desire to find.

Jodi Connelly enjoys the few phone sex clients she has left—one in particular, Eve, who makes her close her eyes in dreamy lust with sharp, lonely cries of release. How will Jodi hide her secrets when the stunning Eve lands on her side of the Atlantic for London fashion week, the picture-perfect reality of her fantasy woman? And how will Eve react when she discovers the new woman in her life, Jodi, and her secret fantasy phone date, Lexi, are one and the same?

  • Sales Rank: #497185 in eBooks
  • Published on: 2011-03-15
  • Released on: 2011-03-15
  • Format: Kindle eBook

About the Author
Larkin Rose lives in a “blink and you’ve missed it” town in the beautiful state of South Carolina with her partner, Rose (hence the pen name), a portion of their 7 brats, a chunky grandson, and too many animals to name. Her writing career began two years ago when the voices in her head wouldn’t stop their constant chatter. After ruling out multiple personalities, and hitting the keyboard, a writer was born.

Larkin has selections in Ultimate Lesbian Erotica 2008 (w/a Sheri Livingston) and Wetter 2008 (as Larkin Rose).

Most helpful customer reviews

8 of 8 people found the following review helpful.
One of the Best of 2011
By P. Bigelow
This is Larkin Rose's fifth novel. In this book, she introduces the reader to fashion designer Eve Harris, a driven workaholic at the top of the fashion ladder with no time for dating and romance. She gets physical relief using a British phone sex operator named Lexi.

Also introduced is Jodi Connelly, a very successful paid escort who was once a phone sex operator but has pared her phone sex client list down to a special three, one of whom is Eve.

Both women are obsessed with the other without ever having met in person and neither has any interest in meeting in person because they are certain they will be disappointed with reality. The chances of meeting are slim to none because Eve lives in New York City and Jody lives in London. Little do they know that they would, indeed, meet. Neither could possibly foretell the cataclysmic effects their meeting will have on their carefully controlled lives.

Rose has written a book that no reader will be able to easily put down. This is a tightly woven story so well written that there's not single misstep. From start to finish, the story moves quickly forward. In the hands of a lesser writer, this story could very well have become trite. Larkin's sure hand makes this a compelling story of two women looking for the same thing.

There is one caveat, though. The intimate meetings between Eve and Jody are explicit. If you prefer the details of sexual meetings to be hinted at rather then drawn in vivid detail, this is not the book for you.

3 of 3 people found the following review helpful.
Ridiculous... but fun
By Nicole
So this is the kind of book you don’t want to get caught reading.

Random stranger on BART: “Oh, that book looks fun, what’s it about?”

Me: “Um… it’s a romance... about a woman in love with a phone sex operator.”

No. Seriously… No. I’m not explaining that to anybody. It’s like a Ho-Ho. Those damn things are delicious. But you don’t want anyone to see you eat it.

So this book was fun. I think it’s the fluffiest book I’ve ever read, but it’s still fun. Nothing more.

3 of 3 people found the following review helpful.
Wow!
By Vix Reader
* Non Synopsis Here *
This is the first book I've read by Larkin Rose and I was so satisfied (very much so), I've read all the rest.

The chemistry between these two women is electric! One has a secret which will be her undoing, but can that be changed? Their relationship is much more complex than I would expect from a matinee romance novel. I loved hearing Jodi's continuous inner monologue which presents a completely different woman than the hardened, cool escort that she presents to the world.

Let's just get it out of the way: The Sex scenes are as HOT as they get. If you are looking for a quick, erotic read then you can't go wrong with this.

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Kamis, 21 November 2013

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Diane Arbus: Revelations, by Diane Arbus

Diane Arbus redefined the concerns and the range of the art she practiced. Her bold subject matter and photographic approach have established her preeminence in the world of the visual arts. Her gift for rendering strange those things we consider most familiar, and uncovering the familiar within the exotic, enlarges our understanding of ourselves.

Diane Arbus Revelations affords the first opportunity to explore the origins, scope, and aspirations of what is a wholly original force in photography. Arbus’s frank treatment of her subjects and her faith in the intrinsic power of the medium have produced a body of work that is often shocking in its purity, in its steadfast celebration of things as they are. Presenting many of her lesser-known or previously unpublished photographs in the context of the iconic images reveals a subtle yet persistent view of the world.

The book reproduces two hundred full-page duotones of Diane Arbus photographs spanning her entire career, many of them never before seen. It also includes an essay, “The Question of Belief,” by Sandra S. Phillips, senior curator of photography at the San Francisco Museum of Modern Art, and “In the Darkroom,” a discussion of Arbus’s printing techniques by Neil Selkirk, the only person authorized to print her photographs since her death. A 104-page Chronology by Elisabeth Sussman, guest curator of the San Francisco Museum of Modern Art show, and Doon Arbus, the artist’s eldest daughter, illustrated by more than three hundred additional images and composed mainly of previously unpublished excerpts from the artist’s letters, notebooks, and other writings, amounts to a kind of autobiography. An Afterword by Doon Arbus precedes biographical entries on the photographer’s friends and colleagues by Jeff L. Rosenheim, associate curator of photographs at The Metropolitan Museum of Art. These texts help illuminate the meaning of Diane Arbus’s controversial and astonishing vision.

  • Sales Rank: #107645 in Books
  • Published on: 2003-09-30
  • Released on: 2003-09-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.80" h x 1.40" w x 9.90" l, 5.68 pounds
  • Binding: Hardcover
  • 352 pages

Amazon.com Review
Muscle men, midgets, socialites, circus performers and asylum inmates: in the 1950s and '60s, photographer Diane Arbus (1923-1971) cast her strong eye on them all, capturing them as no one else could. Her documentary-style photos of society's margin-walkers were objective and reverential, while she often portrayed so-called normal people looking far more freakish than the freaks. Her powerful work was well-received in its day. Arbus received Guggenheim Fellowships in 1963 and 1966 and was included in a major show at MOMA in 1967. But her work entered the realm of near-myth after her 1971 suicide.

Posthumously cast as everything from patron saint of the underdog to a crass exploiter of the mentally challenged, Arbus has curiously never had a large retrospective until the show Revelations was organized by Arbus' family and SF MOMA. The accompanying catalogue is an oversized, sumptuous, beautifully printed tome. It includes all of the artist's iconic photographs as well as many that have never been publicly exhibited, including many pages of contact sheets, journal entries, and family snapshots. This work is so strong, it's mind-blowing. The giant in his apartment with his parents looks absolutely regal, his parents sad and confused. Are those crazy people always so happy? And what to make of this moment of extreme tenderness between a dominatrix and her client? This is a book worth hours of your time. --Mike McGonigal

From the Inside Flap
Diane Arbus redefined the concerns and the range of the art she practiced. Her bold subject matter and photographic approach have established her preeminence in the world of the visual arts. Her gift for rendering strange those things we consider most familiar, and uncovering the familiar within the exotic, enlarges our understanding of ourselves.
Diane Arbus Revelations affords the first opportunity to explore the origins, scope, and aspirations of what is a wholly original force in photography. Arbus's frank treatment of her subjects and her faith in the intrinsic power of the medium have produced a body of work that is often shocking in its purity, in its steadfast celebration of things as they are. Presenting many of her lesser-known or previously unpublished photographs in the context of the iconic images reveals a subtle yet persistent view of the world.
The book reproduces two hundred full-page duotones of Diane Arbus photographs spanning her entire career, many of them never before seen. It also includes an essay, "The Question of Belief," by Sandra S. Phillips, senior curator of photography at the San Francisco Museum of Modern Art, and "In the Darkroom," a discussion of Arbus's printing techniques by Neil Selkirk, the only person authorized to print her photographs since her death. A 104-page Chronology by Elisabeth Sussman, guest curator of the San Francisco Museum of Modern Art show, and Doon Arbus, the artist's eldest daughter, illustrated by more than three hundred additional images and composed mainly of previously unpublished excerpts from the artist's letters, notebooks, and other writings, amounts to a kind of autobiography. An Afterword by Doon Arbus precedesbiographical entries on the photographer's friends and colleagues by Jeff L. Rosenheim, associate curator of photographs at The Metropolitan Museum of Art. These texts help illuminate the meaning of Diane Arbus's controversial and astonishing vision.

About the Author
I want to photograph the considerable ceremonies of our present because we tend while living here and now to perceive only what is random and barren and formless about it. While we regret that the present is not like the past and despair of its ever becoming the future, its innumerable inscrutable habits lie in wait for their meaning...These are our symptoms and our monuments. I want simply to save them, for what is ceremonious and curious and commonplace will be legendary.

Diane Arbus–born Diane Nemerov in New York City in 1923–first began taking pictures in the early 1940s following her marriage to Allan Arbus. She studied photography with Berenice Abbott, Alexey Brodovitch, and Lisette Model. Her first published photographs appeared in Esquire in 1960. Over the next ten years her work continued to appear in Esquire, Harper’s Bazaar, and other magazines.

In 1963 and 1966 she was awarded John Simon Guggenheim Fellowships. She was one of three photographers whose work was the focus of New Documents, a 1967 exhibition at The Museum of Modern Art. In 1970 Arbus made a portfolio of prints entitled A box of ten photographs, which was to be the first of a series of similar limited editions of her work. She taught photography in the late sixties at Parsons School of Design, Rhode Island School of Design, and Cooper Union, and, in 1971, gave a private master class at the artists’ cooperative where she lived.

A year after her death in 1971, her work was selected for inclusion at the Venice Biennale–the first work of an American photographer to be so honored. The Museum of Modern Art hosted a major retrospective that traveled throughout the United States and Canada from 1972 to 1975. The three books of her work, Diane Arbus: An Aperture Monograph (1972), Diane Arbus: Magazine Work (1984), and Untitled: Diane Arbus (1995), were published posthumously and have remained continuously in print. Diane Arbus Revelations, in conjunction with the first major international retrospective of her work in thirty years, is the only comprehensive and intimate study of this singularly daring photographic artist.

Most helpful customer reviews

57 of 61 people found the following review helpful.
Revealing, revelatory
By Ian Muldoon
I own two Arbus monographs and have lived with them for over 20 years. Many of those works are reproduced in this volume. There is a lot of talk about "the human condition" and I suppose all artists in one way or another wrestle with the notion. Arbus has always meant to me someone who seemed to reveal who we are beneath the fashion, the roles, the sex, the culture. I used one of her images as a means to illuminate a poster for a Sam Shepard play called Icarus' Mother - it was of a very young New York boy holding a toy hand grenade in a threatening way during play in Central Park - once seen never forgotten.
Nor will I forget her self portrait, naked pregnant, in this latest volume. So much. So much. This is the volume Arbus lovers have been waiting for. Printed in Germany, beautifully bound, positively packed with images, diary entries, extracts from letters, comment. A bargain.

25 of 29 people found the following review helpful.
Warning! For hard-core Arbus fans only
By Richard Drdul
I enjoy Diane Arbus' photos, but this book is too much for me. Her photos are only a small part of the book -- the majority of the book is a catalogue of her life. The contact sheets are quite interesting, as they reveal a lot about how she approached a subject. The rest will likely appeal only to hardcore Arbus fans.

10 of 31 people found the following review helpful.
A Powerful Book
By J. Steiner
Thank you Doon Arbus for publishing it.

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Selasa, 05 November 2013

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Sharia, Muslim States and International Human Rights Treaty Obligations: A Comparative Study, by Nisrine Abiad

This research - undertaken from a comparative perspective with a view to identifying any patterns followed by Islamic countries in making declarations and reservations to the main international human rights treaties - measures and analyzes to what extent Sharia affects the ratification and implementation of human rights norms by Muslim States. An analysis of the various roles of Sharia reveals different approaches in the use of Islamic considerations by Muslim States. At an international level, Sharia has always been used upon the ratification of international human rights treaties to limit the scope of the State's engagement. Internally, however, some recent examples of legislative amendments and judicial activities demonstrate that Sharia is and can be used to achieve a better translation of human rights norms into domestic practice.

  • Sales Rank: #3536403 in Books
  • Published on: 2008-12-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .79" w x 6.14" l, .0 pounds
  • Binding: Paperback
  • 240 pages

Most helpful customer reviews

2 of 2 people found the following review helpful.
International Law vs. Sharia
By William Garrison Jr.
Sharia, Muslim States and International Human Rights Treaty Obligations: A Comparative Study" by Nisrine Abiad, (2008), 240 pgs. Of the 240 pages, only 75% (175 pages) pertain to the author's analysis of various topics - with 5% for an Appendix, and the 20% balance being the bibliography [no index!]. Hopefully, the "Look Inside" display option is available. Otherwise, the chapter topics are: (1a) The substance of Sharia and its relation to the concept of human rights [criminal law, marriage, freedom of religion, and women's legal rights]; (1b) The status of Islamic law within the legal systems of Muslim states [Lebanon, Turkey Iran, Pakistan, Bahrain, Egypt, Malaysia]; (2) The direct influence & relative impact of Sharia on the Ratification of major international human-rights treaties], (3a) The impact of Sharia on the implementation of human-rights standards into domestic practice, (3b) The implementation of legislative reforms within the framework of the Sharia [the moudawana of Morocco, divorce in Egypt, polygamy in Tunisia, Pakistan's rape law], & (4) The role of the judiciary in the application of human-rights norms [in Bahrain, Egypt, Iran, Lebanon, Morocco, Pakistan, Saudi Arabia, Tunisia, Turkey]. Not being an international-law attorney, I cannot attest to the quality of this author's legal analysis. By reading the daily newspapers, it seems to be an oxymoron to equate `human rights' and `international law' (let alone `law') to many of the countries that the author discusses. The author did note: "An examination of a cross-section of Muslim States reveals that the same types of violations occur across the spectrum, despite the differences in their treatment of Sharia within the hierarchy of norms" (xvii). This female author, an attorney, writes well in a nice, tight style: identifies and discusses a topic, and cites specific references to the Quran, hadith, and legal books. She goes into detail in discussing many types of Bedouin (pre-Muhammad) marriage norms and terminology, how Islam `improved' the lot of women, and while she refers to the major Islamic `schools of law' -- she does not really detail their differences in too much detail. The author discusses various Islamic `hadd' offenses: qadhf (unlawful sexual intercourse), wine (sharb al-khamr), apostasy (ridda). The author contends: "The penalties of flogging, capital punishment, death by stoning, and amputation are contrary to international law principles" (27). At times it seems that the author is using somewhat of a `shotgun' approach in discussing some topic, by noting some `international law' and detailing all-too-briefly how it might apply to some Muslim country. The author notes the problem as to how some international law might apply to some Muslim country that holds reservations as to how such laws will be applied: "Saudi Arabia limits its engagement to the CRC by providing that it enters `reservations with respect to all such articles as are in conflict with the provisions of Islamic law'....the Kingdom is not under obligation to observe the contradictory terms of the convention" (70). The author discusses `rape law' in Iran and Pakistan, but this reader was left with the feeling that those countries legal defenses of women run counter to what one reads in current newspapers with women being flogged for reporting that they were raped - and thereby admitting that they had engaged in what the state considers to be `unlawful sex' and are therefore punished for engaging in sex outside of marriage. The author makes just a passing reference to Israel: "A recurrent reservation found in international treaties signed by Muslim States, refers generally to the Israeli-Palestinian conflict...[but] is not in any way founded on Sharia...it is a political consideration" (83). A book more for `food for thought' than one leading to any major conclusions about the relevance as to how International Law is applied in Islamic countries.

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Minggu, 03 November 2013

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Start Here! Fundamentals of Microsoft .NET Programming, by Rod Stephens

Grasp the basic concepts that drive all Microsoft .NET-based languages—and prepare yourself to learn .NET programming. If you have absolutely no previous experience, no problem—simply start here! This ebook provides the foundation for all other .NET programming language books in the Start Here! series. You’ll explore programming concepts and techniques with clear explanations, easy-to-follow examples, and exercises. It’s the perfect reference for understanding how computer programs work.

  • Delve into object-oriented concepts such as properties, methods, and events
  • Discover what multiprocessing is—and how it’s changing computing
  • Examine how programs store data in files, object stores, and databases
  • Explore controls, such as labels, text boxes, menus, and scroll bars
  • Learn how programming environments help you design and run programs
  • Get an extensive glossary of key programming terms

  • Sales Rank: #683706 in Books
  • Published on: 2011-10-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.80" h x .70" w x 7.30" l, 1.01 pounds
  • Binding: Paperback
  • 264 pages

About the Author

Rod Stephens, president of Rocky Mountain Computer Consulting, Inc., is the author of more than 20 books and 250 articles about various programming topics. Rod has been a professional developer for more than 20 years during which time he has worked on an eclectic assortment of applications in such diverse fields as telephone billing, fuel taxes, waste water treatment, and professional football. Rod’s VB Helper Web site receives roughly 200,000 visits per month and provides more than 2,000 examples demonstrating specific programming techniques in Visual Basic, while his CSharpHelper Web site contains similar examples for C# programmers. Altogether, Rod’s writing, teaching, programming, and web site experience will be invaluable in making this book far more than a “term and concept” reference—the book will also stand on its own, providing the critical background information that the other books in the series would not have sufficient room to deliver.

Most helpful customer reviews

5 of 5 people found the following review helpful.
Good book to recommend to new .net developers.
By Connor Thies
This is the first book I recommend to people starting .NET. It gives a nice overview. When I made the transition from programming in C to .NET - I did not have any books that provided a higher level view of the .NET framework, tools, and development process. At that time the books mainly just restated what the MSDN pages had for info. It could be a bigger book and more info - but sometimes you give the extra star because the author(s) created something that's needed. After this book I'd recommend the C# Step By Step book.

4 of 4 people found the following review helpful.
really / start here
By Michael Beloved
This for sure is the start-up in learning .NET framework. I got this because I was studying php and sql. It gives much background information and shows what .NET is all about.

Computers are complicated but the complication is really many simple events taking place with rapidity. This shows some of the basic underbelly of the fascination we have with technology.

great buy!

great book!

2 of 2 people found the following review helpful.
Book delivers what it promises
By Chris F
I don't understand the comment that the book is not detailed enough. It's a great starter book. It did its job to get me familiarized with the thinking behind .NET. I thought it was just right.

See all 11 customer reviews...

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[J613.Ebook] Free PDF The Complete Musician: An Integrated Approach to Tonal Theory, Analysis, and Listening, 3rd Edition, by Steven G. Laitz

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The Complete Musician: An Integrated Approach to Tonal Theory, Analysis, and Listening, 3rd Edition, by Steven G. Laitz



The Complete Musician: An Integrated Approach to Tonal Theory, Analysis, and Listening, 3rd Edition, by Steven G. Laitz

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The Complete Musician: An Integrated Approach to Tonal Theory, Analysis, and Listening, 3rd Edition, by Steven G. Laitz

Beginning with music fundamentals, this text covers all the topics necessary for a thorough understanding of undergraduate music theory by focusing on music in context. The text links each of the tasks that comprise a tonal theory curriculum, explicitly connecting written theory (writing and analysis), skills (singing, playing, and dictation), and music-making outside the theory class.

DISTINCTIVE FEATURES
* Presents an outstanding quality, quantity, and diversity of exercises geared toward real music and real music situations
* Explores not only standard four-voice harmony, but also other musical domains including melody, counterpoint, and a multitude of textures; the result is a text with applicability and relevance to all musicians
* Includes almost 4,500 musical examples from the common-practice repertoire in the text and workbooks, more than 90 percent of which are on the CDs included with the text and workbooks--nearly twenty hours of music on MP3 files (all music is performed, recorded, and engineered at Eastman)

  • Sales Rank: #113026 in Books
  • Published on: 2011-04-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.30" h x 1.50" w x 10.10" l, 3.90 pounds
  • Binding: Hardcover
  • 896 pages
Features
  • Textbook
  • CD included

Review

"The Complete Musician offers a depth of theoretical training and analytical insight that its competitors do not. It has, by far, the best musical examples of any textbook available on the market today. The exercises, which incrementally progress from easier to harder, are highly original and just plain fun to do."--Reginald Bain, University of South Carolina


"The integration of composition, analysis, aural recognition, and performance is the best feature of The Complete Musician. It subtly reinforces the idea that a musician needs an understanding of each aspect of the musical universe in order to excel in any of its specialized areas. The CompleteMusician trains music students to think like composers, which cannot help but make them better performers."--Ciro Scotto, University of South Florida


"The most comprehensive, musically intelligent, and easy-to-use music theory textbook on the market."--Stefan Eckert, University of Northern Colorado


"This title ranks among the very best of its kind. . . . If you want a thorough and approachable book that gets behind, or into the head (indeed, heart and soul) of composers whose music you've known; want to know how it works the way it does, and why; want to see the mechanics, an appreciation of which serves only to enhance your sense of admiration for their technique, then The Complete Musician can be recommended wholeheartedly."--Review from Classical.net


About the Author

Steven G. Laitz is Professor of Music Theory at the Eastman School of Music at the University of Rochester. He is also an Affiliate Faculty Member in the Chamber Music Department at Eastman. Dr. Laitz is the current editor of the Journal of Music Theory Pedagogy.

Most helpful customer reviews

5 of 5 people found the following review helpful.
As another reviewer also commented, the book has quite ...
By Amazon Customer
As another reviewer also commented, the book has quite a lot of errors. Several paragraphs and diagrams are ambiguous or confusing and can only be deciphered by consulting external sources, which makes this book very frustrating to read. The author strangely didn't choose to move basic material either entirely to the appendices or to cover it completely within the main chapters.

0 of 0 people found the following review helpful.
Previously a textbook rental volume. It's in excellent condition. A great value.
By Dan J
I'm coming mid-way into a music theory sequence, having just transferred universities. I was very pleased to find the book the class is using, the previous edition of a widely used music theory text. The volume was previously a textbook rental, at a very good price. I was a little concerned about the status of the book. However, the description was accurate. The pages are clean and the binding very sound. It's in essentially "new" condition. I'm very pleased.

0 of 0 people found the following review helpful.
Get the 3rd edition!
By Oliver
It's a nice book to learn music theory. Everything is very detailed in the book. We use this book as taxt book in Davis. Although this is a used one, it watchable and not bad at all. There is nothing major changes between the newest edition and this one, but this one is a lot cheaper. So get the third edition!

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